Alma Tadema's Oil Paintings
	Alma Tadema Museum 8 January 1836 – 25 June 1912. Most renowned painters.
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Here are all the paintings of Miller, Alfred Jacob 01

ID	Painting	Oil Pantings, Sorted from A to Z	Painting Description
19436		Antoine Clement, The Great Hunter	1837 Oil on canvas Walters Art Gallery, Baltimore.
19435		Bear Bull, Chief of the Oglala Sioux	1837 Watercolor on paper Walters Art Gallery, Baltimore.
41438		Crossing one of the Sources of the Colorado of the West,in the Mountains of the Windsl	mk162 c.1837 9x7
41443		Elk Hunting in the Rocky Mountatins	mk162 c.1837 Pencil with brown and gray washes on paper 8x7
19437		Encampment on Green River	1837 Watercolor on paper Joslyn Art Museum, Omaha.
41441		Greeting the Trappers	mk162 1837 Watercolor on paper 6x9
41447		Indian Elopemetn	mk162 1852 Oil on canvas 30x36
41440		Indians Assembled in Grand Council to Hold a Talk	mk162 c.1837 Pencil and ink with gray wash on paper 8x10
41442		Indians Fording a River	mk162 undated Watercolor on paper 4x6
31977		Interior of Fort Laramie	mk77 1858-60 Watercolor 11 5/8x14 1/8in
41445		Louis-Rocky Mountain Trapper	mk162 undated Watercolor on paper 7x5
41444		Surround of Buffalo by Indians	mk162 c.1848-1858 Oil on canvas 30x44

Miller, Alfred Jacob

American Painter, 1810-1874 American painter. From 1831-2 he studied with the portrait painter Thomas Sully in Philadelphia, PA. In 1832 he went to France, where he studied in Paris at the Ecole des Beaux-Arts. He also visited Rome before returning to Baltimore, to open a portrait studio in 1834. Three years later Miller moved to New Orleans, LA, and was engaged by Captain William Drummond Stewart to accompany an expedition to the Rocky Mountains. The journey brought Miller into close contact with the American Indians, whose hunting and social customs he depicted in 200 watercolour sketches, and with the Far West fur trappers at their annual trading gatherings. He was one of the first artists to leave a detailed visual account of the life of the American mountain men (see WILD WEST AND FRONTIER ART). Miller's Rocky Mountain paintings are among the most romantic images of the American West ever created. His works are often panoramic and dramatic, yet he was equally adept at depicting charming, intimate scenes. His free, vigorous painting style brings to life both the American Indian and the rugged pioneer. Such paintings as the Lost Greenhorn

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